{"title":"Bird Prints","description":"\u003cp\u003eJohn James Audubon's \u003cem\u003eThe Birds of America\u003c\/em\u003e is one of the great natural history books: 435 hand-coloured engravings of birds drawn life-size, published between 1827 and 1838, most of them engraved by Robert Havell in London. This collection brings together 70 of its most striking plates, from the American Flamingo and Great Blue Heron to owls, eagles and hummingbirds.\u003c\/p\u003e\u003cp\u003eEach plate is printed from a high-resolution scan of the original Havell edition, at a size chosen to match the detail in that engraving rather than a standard poster size. Every print comes mounted with an even border and finished in the frame of your choice, ready to hang.\u003c\/p\u003e","products":[{"product_id":"american-flamingo-plate-431-audubon-birds-of-america-print","title":"American Flamingo · Plate 431 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eAmerican Flamingo\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 431 of 435, \"American Flamingo\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe American Flamingo.\u003c\/strong\u003e Plate 431 is the most reproduced image in the entire work, and the reason is the composition: to fit a bird nearly five feet tall onto the sheet life-size, Audubon bent its neck to the ground, so the flamingo fills the frame as a single sweeping curve of pink.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55467117904213,"sku":"THENATURALHISTORYROOM431-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM431-mounted-front.jpg?v=1792752448"},{"product_id":"mocking-bird-plate-21-audubon-birds-of-america-print","title":"Mocking Bird · Plate 21 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eMocking Bird\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 21 of 435, \"Mocking Bird\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe songbirds.\u003c\/strong\u003e Drawn from life where Audubon could manage it, and always with the plant that the species feeds or nests in, identified in the engraved caption.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"27cm x 37cm","offer_id":55469773357397,"sku":"THENATURALHISTORYROOM021-M-27X37","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM021-mounted-front.jpg?v=1792752455"},{"product_id":"hooping-crane-plate-261-audubon-birds-of-america-print","title":"Hooping Crane · Plate 261 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eHooping Crane\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 261 of 435, \"Hooping Crane\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe cranes.\u003c\/strong\u003e Whooping and sandhill cranes, drawn when both still bred across the interior wetlands. The whooping crane fell to fewer than twenty birds in the twentieth century.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"30cm x 45cm","offer_id":55469773422933,"sku":"THENATURALHISTORYROOM261-M-30X45","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM261-mounted-front.jpg?v=1792752461"},{"product_id":"wild-turkey-plate-1-audubon-birds-of-america-print","title":"Wild Turkey · Plate 1 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eWild Turkey\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 1 of 435, \"Wild Turkey\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Wild Turkey.\u003c\/strong\u003e Plate 1, and the bird Audubon chose to open the work with. He kept a live turkey cock as a model and drew it among the cane of the Mississippi bottomlands; the same bird became the emblem on his seal.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55469773685077,"sku":"THENATURALHISTORYROOM001-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM001-mounted-front.jpg?v=1792752469"},{"product_id":"black-skimmer-or-shearwater-plate-323-audubon-birds-of-america-print","title":"Black Skimmer, or Shearwater · Plate 323 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBlack Skimmer, or Shearwater\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 323 of 435, \"Black Skimmer, or Shearwater\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeabirds.\u003c\/strong\u003e Drawn on the Labrador voyage of 1833, on cliffs and open water, and among the coldest and greyest plates in a work otherwise full of southern light.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eTaken from a high-resolution scan of an original impression and cleaned of foxing and binding marks, with the engraved caption left as it was printed. Printed on archival cotton-fibre paper when your order is placed, and mounted with a border of equal width on every side so the plate sits centred in the frame.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"46cm x 46cm","offer_id":55469774307669,"sku":"THENATURALHISTORYROOM323-M-46X46","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM323-mounted-front.jpg?v=1792752475"},{"product_id":"great-footed-hawk-plate-16-audubon-birds-of-america-print","title":"Great-footed Hawk · Plate 16 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eGreat-footed Hawk\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 16 of 435, \"Great-footed Hawk\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. He drew from freshly taken birds wired into position, which is why the wings hold poses no living bird would sit for.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"24cm x 34cm","offer_id":55469775028565,"sku":"THENATURALHISTORYROOM016-M-34X24","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM016-mounted-front.jpg?v=1792752481"},{"product_id":"puffin-plate-213-audubon-birds-of-america-print","title":"Puffin · Plate 213 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003ePuffin\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 213 of 435, \"Puffin\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeabirds.\u003c\/strong\u003e Drawn on the Labrador voyage of 1833, on cliffs and open water, and among the coldest and greyest plates in a work otherwise full of southern light.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eTaken from a high-resolution scan of an original impression and cleaned of foxing and binding marks, with the engraved caption left as it was printed. Printed on archival cotton-fibre paper when your order is placed, and mounted with a border of equal width on every side so the plate sits centred in the frame.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"31cm x 46cm","offer_id":55469775847765,"sku":"THENATURALHISTORYROOM213-M-46X31","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM213-mounted-front.jpg?v=1792752489"},{"product_id":"purple-heron-plate-256-audubon-birds-of-america-print","title":"Purple Heron · Plate 256 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003ePurple Heron\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 256 of 435, \"Purple Heron\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerons and egrets.\u003c\/strong\u003e The long-legged waders gave Audubon his hardest compositional problem and his best solutions. To keep a bird this tall life-size on the sheet he folded necks and dropped heads to the water, and the results are the most sculptural plates in the book.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"46cm x 61cm","offer_id":55469776306517,"sku":"THENATURALHISTORYROOM256-M-61X46","price":56.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM256-mounted-front.jpg?v=1792752496"},{"product_id":"louisiana-heron-plate-217-audubon-birds-of-america-print","title":"Louisiana Heron · Plate 217 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eLouisiana Heron\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 217 of 435, \"Louisiana Heron\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerons and egrets.\u003c\/strong\u003e The long-legged waders gave Audubon his hardest compositional problem and his best solutions. To keep a bird this tall life-size on the sheet he folded necks and dropped heads to the water, and the results are the most sculptural plates in the book.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"48cm x 56cm","offer_id":55469777092949,"sku":"THENATURALHISTORYROOM217-M-56X48","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM217-mounted-front.jpg?v=1792752503"},{"product_id":"bird-of-washington-plate-11-audubon-birds-of-america-print","title":"Bird of Washington · Plate 11 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBird of Washington\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 11 of 435, \"Bird of Washington\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Bird of Washington.\u003c\/strong\u003e Audubon believed he had found a new species of sea eagle and named it for George Washington. Ornithologists since have taken it for an immature bald eagle, which makes the plate a record of the one claim that damaged his scientific reputation.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471312470357,"sku":"THENATURALHISTORYROOM011-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM011-mounted-front.jpg?v=1792752510"},{"product_id":"baltimore-oriole-plate-12-audubon-birds-of-america-print","title":"Baltimore Oriole · Plate 12 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBaltimore Oriole\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 12 of 435, \"Baltimore Oriole\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe songbirds.\u003c\/strong\u003e The small coloured birds are drawn among the plants they feed in, and the plant is usually identified in the caption alongside the bird.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471312535893,"sku":"THENATURALHISTORYROOM012-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM012-mounted-front.jpg?v=1792752517"},{"product_id":"carolina-parrot-plate-26-audubon-birds-of-america-print","title":"Carolina Parrot · Plate 26 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eCarolina Parrot\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 26 of 435, \"Carolina Parrot\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Carolina Parakeet.\u003c\/strong\u003e The only parrot native to the eastern United States, and extinct within a century of this plate being drawn. Audubon grouped seven birds through a cocklebur to show every angle of the plumage at once.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471312568661,"sku":"THENATURALHISTORYROOM026-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM026-mounted-front.jpg?v=1792752524"},{"product_id":"white-headed-eagle-plate-31-audubon-birds-of-america-print","title":"White-headed Eagle · Plate 31 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eWhite-headed Eagle\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 31 of 435, \"White-headed Eagle\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. He drew from freshly taken birds wired into position, which is why the wings hold poses no living bird would sit for.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"24cm x 34cm","offer_id":55471312601429,"sku":"THENATURALHISTORYROOM031-M-34X24","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM031-mounted-front.jpg?v=1792752531"},{"product_id":"american-goldfinch-plate-33-audubon-birds-of-america-print","title":"American Goldfinch · Plate 33 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eAmerican Goldfinch\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 33 of 435, \"American Goldfinch\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe songbirds.\u003c\/strong\u003e The small coloured birds are drawn among the plants they feed in, and the plant is usually identified in the caption alongside the bird.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eTaken from a high-resolution scan of an original impression and cleaned of foxing and binding marks, with the engraved caption left as it was printed. Printed on archival cotton-fibre paper when your order is placed, and mounted with a border of equal width on every side so the plate sits centred in the frame.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471312634197,"sku":"THENATURALHISTORYROOM033-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM033-mounted-front.jpg?v=1792752537"},{"product_id":"barred-owl-plate-46-audubon-birds-of-america-print","title":"Barred Owl · Plate 46 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBarred Owl\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 46 of 435, \"Barred Owl\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwls in the Birds of America.\u003c\/strong\u003e Audubon drew the owls at night and at scale, and they are among the most dramatic plates in the work: the birds turned to face the viewer, the ground below them barely sketched, the eyes doing all the work.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471312666965,"sku":"THENATURALHISTORYROOM046-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM046-mounted-front.jpg?v=1792752544"},{"product_id":"ruby-throated-humming-bird-plate-47-audubon-birds-of-america-print","title":"Ruby-throated Humming Bird · Plate 47 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eRuby-throated Humming Bird\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 47 of 435, \"Ruby-throated Humming Bird\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe hummingbirds.\u003c\/strong\u003e The smallest birds in the work, and the plates where Audubon's botanical drawing is at its finest: the flowers are painted as carefully as the birds feeding at them.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471312765269,"sku":"THENATURALHISTORYROOM047-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM047-mounted-front.jpg?v=1792752552"},{"product_id":"great-horned-owl-plate-61-audubon-birds-of-america-print","title":"Great Horned Owl · Plate 61 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eGreat Horned Owl\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 61 of 435, \"Great Horned Owl\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwls in the Birds of America.\u003c\/strong\u003e Audubon drew the owls at night and at scale, and they are among the most dramatic plates in the work: the birds turned to face the viewer, the ground below them barely sketched, the eyes doing all the work.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"27cm x 37cm","offer_id":55471312798037,"sku":"THENATURALHISTORYROOM061-M-27X37","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM061-mounted-front.jpg?v=1792752558"},{"product_id":"passenger-pigeon-plate-62-audubon-birds-of-america-print","title":"Passenger Pigeon · Plate 62 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003ePassenger Pigeon\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 62 of 435, \"Passenger Pigeon\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Passenger Pigeon.\u003c\/strong\u003e Audubon watched flocks darken the sky for three days at a stretch and estimated a billion birds in one passage. The last of them died in 1914, which makes this plate a record of a species nobody alive has seen.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471312961877,"sku":"THENATURALHISTORYROOM062-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM062-mounted-front.jpg?v=1792752568"},{"product_id":"ivory-billed-woodpecker-plate-66-audubon-birds-of-america-print","title":"Ivory-billed Woodpecker · Plate 66 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eIvory-billed Woodpecker\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 66 of 435, \"Ivory-billed Woodpecker\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ivory-billed Woodpecker.\u003c\/strong\u003e Three birds on a dead trunk, drawn when the species still worked the old-growth bottomland forests of the southeast. 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The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471312994645,"sku":"THENATURALHISTORYROOM066-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM066-mounted-front.jpg?v=1792752574"},{"product_id":"belted-kingfisher-plate-77-audubon-birds-of-america-print","title":"Belted Kingfisher · Plate 77 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBelted Kingfisher\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 77 of 435, \"Belted Kingfisher\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Belted Kingfisher.\u003c\/strong\u003e Three birds over a river bank, drawn to show the male, the female and the dive at once.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471313027413,"sku":"THENATURALHISTORYROOM077-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM077-mounted-front.jpg?v=1792752581"},{"product_id":"fish-hawk-or-osprey-plate-81-audubon-birds-of-america-print","title":"Fish Hawk, or Osprey · Plate 81 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eFish Hawk, or Osprey\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 81 of 435, \"Fish Hawk, or Osprey\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. He drew from freshly taken birds wired into position, which is why the wings hold poses no living bird would sit for.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313060181,"sku":"THENATURALHISTORYROOM081-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM081-mounted-front.jpg?v=1792752587"},{"product_id":"little-screech-owl-plate-97-audubon-birds-of-america-print","title":"Little Screech Owl · Plate 97 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eLittle Screech Owl\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 97 of 435, \"Little Screech Owl\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwls in the Birds of America.\u003c\/strong\u003e Audubon drew the owls at night and at scale, and they are among the most dramatic plates in the work: the birds turned to face the viewer, the ground below them barely sketched, the eyes doing all the work.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471313092949,"sku":"THENATURALHISTORYROOM097-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM097-mounted-front.jpg?v=1792752594"},{"product_id":"raven-plate-101-audubon-birds-of-america-print","title":"Raven · Plate 101 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eRaven\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 101 of 435, \"Raven\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe corvids and jays.\u003c\/strong\u003e Blue jays at a stolen clutch of eggs, ravens on a bough, crows in walnut: Audubon gave the clever birds narrative compositions rather than portraits.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313158485,"sku":"THENATURALHISTORYROOM101-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM101-mounted-front.jpg?v=1792752600"},{"product_id":"blue-jay-plate-102-audubon-birds-of-america-print","title":"Blue Jay · Plate 102 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBlue Jay\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 102 of 435, \"Blue Jay\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe corvids and jays.\u003c\/strong\u003e Blue jays at a stolen clutch of eggs, ravens on a bough, crows in walnut: Audubon gave the clever birds narrative compositions rather than portraits.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471313256789,"sku":"THENATURALHISTORYROOM102-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM102-mounted-front.jpg?v=1792752607"},{"product_id":"pileated-woodpecker-plate-111-audubon-birds-of-america-print","title":"Pileated Woodpecker · Plate 111 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003ePileated Woodpecker\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 111 of 435, \"Pileated Woodpecker\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe woodpeckers.\u003c\/strong\u003e Audubon arranged the woodpeckers vertically up dead trunks, which suits both the bird and the tall sheet, and let him show several birds of one species at once.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"27cm x 37cm","offer_id":55471313551701,"sku":"THENATURALHISTORYROOM111-M-27X37","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM111-mounted-front.jpg?v=1792752613"},{"product_id":"white-headed-eagle-plate-126-audubon-birds-of-america-print","title":"White-headed Eagle · Plate 126 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eWhite-headed Eagle\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 126 of 435, \"White-headed Eagle\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. 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The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313584469,"sku":"THENATURALHISTORYROOM126-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM126-mounted-front.jpg?v=1792752620"},{"product_id":"american-robin-plate-131-audubon-birds-of-america-print","title":"American Robin · Plate 131 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eAmerican Robin\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 131 of 435, \"American Robin\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe songbirds.\u003c\/strong\u003e Drawn from life where Audubon could manage it, and always with the plant that the species feeds or nests in, identified in the engraved caption.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313650005,"sku":"THENATURALHISTORYROOM131-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM131-mounted-front.jpg?v=1792752625"},{"product_id":"turkey-buzzard-plate-151-audubon-birds-of-america-print","title":"Turkey Buzzard · Plate 151 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eTurkey Buzzard\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 151 of 435, \"Turkey Buzzard\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. He drew from freshly taken birds wired into position, which is why the wings hold poses no living bird would sit for.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"27cm x 37cm","offer_id":55471313715541,"sku":"THENATURALHISTORYROOM151-M-27X37","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM151-mounted-front.jpg?v=1792752631"},{"product_id":"american-crow-plate-156-audubon-birds-of-america-print","title":"American Crow · Plate 156 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eAmerican Crow\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 156 of 435, \"American Crow\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe corvids and jays.\u003c\/strong\u003e Blue jays at a stolen clutch of eggs, ravens on a bough, crows in walnut: Audubon gave the clever birds narrative compositions rather than portraits.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313748309,"sku":"THENATURALHISTORYROOM156-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM156-mounted-front.jpg?v=1792752638"},{"product_id":"cardinal-grosbeak-plate-159-audubon-birds-of-america-print","title":"Cardinal Grosbeak · Plate 159 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eCardinal Grosbeak\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 159 of 435, \"Cardinal Grosbeak\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe songbirds.\u003c\/strong\u003e The small coloured birds are drawn among the plants they feed in, and the plant is usually identified in the caption alongside the bird.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. 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Made to order on cotton-fibre archival paper at the one size the plate is cut to, with the mount and frame cut and finished by hand here.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313813845,"sku":"THENATURALHISTORYROOM159-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM159-mounted-front.jpg?v=1792752644"},{"product_id":"brasilian-caracara-eagle-plate-161-audubon-birds-of-america-print","title":"Brasilian Caracara Eagle · Plate 161 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBrasilian Caracara Eagle\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 161 of 435, \"Brasilian Caracara Eagle\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. 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The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313912149,"sku":"THENATURALHISTORYROOM161-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM161-mounted-front.jpg?v=1792752651"},{"product_id":"barn-owl-plate-171-audubon-birds-of-america-print","title":"Barn Owl · Plate 171 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eBarn Owl\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 171 of 435, \"Barn Owl\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwls in the Birds of America.\u003c\/strong\u003e Audubon drew the owls at night and at scale, and they are among the most dramatic plates in the work: the birds turned to face the viewer, the ground below them barely sketched, the eyes doing all the work.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471313977685,"sku":"THENATURALHISTORYROOM171-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM171-mounted-front.jpg?v=1792752657"},{"product_id":"golden-eagle-plate-181-audubon-birds-of-america-print","title":"Golden Eagle · Plate 181 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eGolden Eagle\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 181 of 435, \"Golden Eagle\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirds of prey.\u003c\/strong\u003e The raptors are the plates Audubon staked his reputation on, usually shown at the moment of the kill or mantling over it. He drew from freshly taken birds wired into position, which is why the wings hold poses no living bird would sit for.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471314075989,"sku":"THENATURALHISTORYROOM181-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM181-mounted-front.jpg?v=1792752664"},{"product_id":"mango-hummingbird-plate-184-audubon-birds-of-america-print","title":"Mango Hummingbird · Plate 184 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eMango Hummingbird\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 184 of 435, \"Mango Hummingbird\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe hummingbirds.\u003c\/strong\u003e The smallest birds in the work, and the plates where Audubon's botanical drawing is at its finest: the flowers are painted as carefully as the birds feeding at them.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eRestored from a high-resolution scan of an original folio sheet, with the plate's own caption kept and everything around it removed. Made to order on cotton-fibre archival paper at the one size the plate is cut to, with the mount and frame cut and finished by hand here.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"50cm x 61cm","offer_id":55471314207061,"sku":"THENATURALHISTORYROOM184-M-50X61","price":61.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM184-mounted-front.jpg?v=1792752671"},{"product_id":"canada-goose-plate-201-audubon-birds-of-america-print","title":"Canada Goose · Plate 201 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eCanada Goose\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 201 of 435, \"Canada Goose\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaterfowl.\u003c\/strong\u003e The swans and geese are among the largest subjects in the work and pushed the double elephant sheet to its limit. Audubon set them low on the water so the whole bird stays within the plate.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471314239829,"sku":"THENATURALHISTORYROOM201-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM201-mounted-front.jpg?v=1792752677"},{"product_id":"summer-or-wood-duck-plate-206-audubon-birds-of-america-print","title":"Summer, or Wood Duck · Plate 206 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eSummer, or Wood Duck\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 206 of 435, \"Summer, or Wood Duck\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaterfowl.\u003c\/strong\u003e The swans and geese are among the largest subjects in the work and pushed the double elephant sheet to its limit. Audubon set them low on the water so the whole bird stays within the plate.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471314272597,"sku":"THENATURALHISTORYROOM206-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM206-mounted-front.jpg?v=1792752684"},{"product_id":"great-blue-heron-plate-211-audubon-birds-of-america-print","title":"Great blue Heron · Plate 211 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eGreat blue Heron\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 211 of 435, \"Great blue Heron\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerons and egrets.\u003c\/strong\u003e The long-legged waders gave Audubon his hardest compositional problem and his best solutions. To keep a bird this tall life-size on the sheet he folded necks and dropped heads to the water, and the results are the most sculptural plates in the book.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"34cm x 49cm","offer_id":55471314338133,"sku":"THENATURALHISTORYROOM211-M-34X49","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM211-mounted-front.jpg?v=1792752691"},{"product_id":"wood-ibiss-plate-216-audubon-birds-of-america-print","title":"Wood Ibiss · Plate 216 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eWood Ibiss\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 216 of 435, \"Wood Ibiss\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpoonbills and ibises.\u003c\/strong\u003e Drawn on the Florida keys and the Gulf coast during Audubon's southern expeditions, where he found the birds in numbers that no longer exist.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"27cm x 37cm","offer_id":55471314370901,"sku":"THENATURALHISTORYROOM216-M-27X37","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM216-mounted-front.jpg?v=1792752697"},{"product_id":"mallard-duck-plate-221-audubon-birds-of-america-print","title":"Mallard Duck · Plate 221 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eMallard Duck\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 221 of 435, \"Mallard Duck\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaterfowl.\u003c\/strong\u003e The swans and geese are among the largest subjects in the work and pushed the double elephant sheet to its limit. Audubon set them low on the water so the whole bird stays within the plate.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"24cm x 34cm","offer_id":55471314633045,"sku":"THENATURALHISTORYROOM221-M-34X24","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM221-mounted-front.jpg?v=1792752704"},{"product_id":"white-ibis-plate-222-audubon-birds-of-america-print","title":"White Ibis · Plate 222 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eWhite Ibis\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 222 of 435, \"White Ibis\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpoonbills and ibises.\u003c\/strong\u003e Drawn on the Florida keys and the Gulf coast during Audubon's southern expeditions, where he found the birds in numbers that no longer exist.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. Each print is made to order on cotton-fibre archival paper, then mounted with a wide even border and hand-framed in our workshop rather than sent out.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"48cm x 56cm","offer_id":55471314665813,"sku":"THENATURALHISTORYROOM222-M-56X48","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM222-mounted-front.jpg?v=1792752711"},{"product_id":"night-heron-or-qua-bird-plate-236-audubon-birds-of-america-print","title":"Night Heron, or Qua bird · Plate 236 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eNight Heron, or Qua bird\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 236 of 435, \"Night Heron, or Qua bird\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerons and egrets.\u003c\/strong\u003e The long-legged waders gave Audubon his hardest compositional problem and his best solutions. To keep a bird this tall life-size on the sheet he folded necks and dropped heads to the water, and the results are the most sculptural plates in the book.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003ePrepared from a high-resolution scan of an original hand-coloured plate, cleaned of the mount and the folio's binding shadow before printing. Made to order on heavyweight cotton-fibre archival paper and sold at a single size, mounted with an equal border all round and framed in-house.\u003c\/p\u003e","brand":"The Natural History Room","offers":[{"title":"24cm x 34cm","offer_id":55471314731349,"sku":"THENATURALHISTORYROOM236-M-34X24","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0886\/6414\/6261\/files\/THENATURALHISTORYROOM236-mounted-front.jpg?v=1792752717"},{"product_id":"snowy-heron-or-white-egret-plate-242-audubon-birds-of-america-print","title":"Snowy Heron, or White Egret · Plate 242 · Audubon - Birds of America Print","description":"\u003cp\u003e\u003cstrong\u003eSnowy Heron, or White Egret\u003c\/strong\u003e - a hand-coloured engraving from John James Audubon's The Birds of America, drawn between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003ePlate 242 of 435, \"Snowy Heron, or White Egret\", from The Birds of America, engraved by Robert Havell Jr between 1827 and 1838.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerons and egrets.\u003c\/strong\u003e The long-legged waders gave Audubon his hardest compositional problem and his best solutions. To keep a bird this tall life-size on the sheet he folded necks and dropped heads to the water, and the results are the most sculptural plates in the book.\u003c\/p\u003e\n\u003cp\u003eJohn James Audubon spent twelve years shooting, wiring and drawing every bird he could find in North America, then took the results to Britain because no American engraver could print them at the size he insisted on. The Birds of America was issued between 1827 and 1838 as 435 hand-coloured plates on double elephant folio sheets, close to a metre tall, engraved and coloured in London by Robert Havell Jr. The scale is the point: Audubon drew every species life-size, which is why the flamingo stoops and the heron cranes, and why these compositions still fill a wall the way a photograph rarely does.\u003c\/p\u003e\n\u003cp\u003eRobert Havell Jr engraved and hand-coloured the plates from 1827, taking over the work after the first ten. The line is aquatint over etched copper, the colour laid on by hand plate by plate, so no two impressions of the same subject are quite identical.\u003c\/p\u003e\n\u003cp\u003eWorked up from a high-resolution scan of an original Havell plate, straightened and cleaned of library furniture so nothing but the engraving reaches the paper. 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