Thornton's moonlit cactus flower, printed on cotton-fibre archival paper, set in a hand-cut mount printed with 18th-century marbled paper, and framed in antique gold. Fifty will be made, each numbered on the mount.
Edition
50, numbered in order of sale
Framed size
About 65 x 80cm
Print
46 x 61cm, cotton-fibre archival paper
Mount
Marbled endpaper, printed edge to edge
Frame
Antique gold lustre wood, 33mm
Dispatch
Made to order in London
Comes with a matching numbered certificate. Print, mount and frame are fixed, chosen to go together.
Reproduced from a high-resolution scan of an original 1800 plate in the Biodiversity Heritage Library, straightened and given an even paper margin all round, with Thornton's engraved title kept whole.
46 x 61cm · cotton-fibre archival paper · archival inks
The printed mount
Printed edge to edge with marbled paper from a scan of an 18th-century bookbinder's endpaper, the kind that lined the covers of books like The Temple of Flora. The window is cut by hand after printing, with a bevelled edge.
60 x 75cm · 7cm border · hand-cut bevel
The frame
A solid wood moulding finished in antique gold lustre, warm and softly brushed rather than bright. Glazed with acrylic, which is lighter and safer than glass, and backed ready to hang.
33mm wide · 30mm deep · acrylic glazing · ready to hang
The edition
Fifty, numbered, and then no more
Each piece is numbered on the mount in the order it is bought, in a small bookseller's ticket in the bottom right corner, and comes with a certificate carrying the same number. When all fifty have gone, this combination of print, mount and frame will not be made again.
Number printed on the mount, never added later
Matching numbered certificate
Sold-out editions stay listed as sold out
About the artwork
A flower that opens for one night
The night-blowing cereus flowers once a year, after dark, and has faded by morning. For The Temple of Flora, published in London between 1799 and 1807, Robert Thornton set it in a moonlit landscape with a church clock just past midnight behind it.
The flower was painted by Philip Reinagle and the moonlight by Abraham Pether, and the plate was engraved by Richard Dunkarton and published on 20 May 1800. It is one of the most celebrated botanical images ever made.
Printing. The Cereus artwork, printed on cotton-fibre archival paper.Cutting. The window cut by hand, with a bevelled edge, after the mount is printed.Framing. Joined, glazed and backed, then sealed with framer’s tape and checked for delivery.
Good to know
Delivery and care
How long will it take?+
Each edition is made to order in London. See our delivery information for current timings and shipping options.
Which number will I get?+
The next one in the run. Numbers are given in the order editions are bought, so the number cannot be chosen.
Can I change the frame or mount?+
Not on the edition: the print, mount and frame together are what make it the edition. The regular print can be framed any way you like.
How should I look after it?+
Hang it out of direct sunlight and away from damp. Dust the frame with a dry cloth and clean the acrylic with a soft cloth and a little water, never with glass cleaner.